Posts tagged with "design"
I like making things.
I used to mostly just make things that show up on the computer screen - software things. Lately, however, I’ve been re-inspired to make real things. Things out of wood and things out of plastic and metal and fabric and string.
The way I see it, we design things either manually or generatively.
By manual I mean that I conceive an idea then design and build it step by step. I - the human - am involved every step of the process. Imperative code is manual. Here’s some pseudocode to describe what I’m talking about…
See what I mean?
I’m not arguing that this sort of code and likewise this sort of technique for building is not essential. It is. I am, however, going to propose that it’s often not altogether exciting or inspiring. The reason, IMO, is that the entire process is no greater than the individual or organization that implements it. An individual only has so many hours in the day and is even limited in ideas. An organization can grow rather large and put far more time and effort into a problem and obviously generate more extensive results. But the results are always linearly related to the effort input - not so exciting.
By generative I mean that instead of creating a thing, I create rules to make a thing. The rules may be non-deterministic and the results completely unexpected - even from one run to another. The results often end up looking very much like what we find in nature - the fractal patterns in leaves, the propagation of waves on the water, or the absolute beauty of ice crystals up close.
What’s exciting is when an individual or organization puts their time and effort into defining rules instead of defining steps. That is, after all, the way our own brains work, and in fact, that’s the way the rest of nature works too. It’s amazing and awesome and I would venture to say it’s even miraculous.
I think a lot of my ideas on the matter parallel and perhaps stem from Stephen Wolfram’s book A New Kind of Science.
Most of the book is about cellular automata. The simple way to understand these guys is to think back to Conway’s Game of Life. The game is basically a grid of cells that each have a finite number of states - often times two states: black and white. Initially, the cells in the grid are seeded with a value and then iterations are put into place that may change the state of the cells according to some rules.
The result is way more interesting than the explanation. The cell grid appears to come to life. The fascinating part is that the behavior of the system is usually not what the author intended - it’s something emergent. The creator is responsible for a) creating an initial state and b) creating some rules. The system handles the rest. It usually takes a lot of trial and error if the intention is to create something that serves some certain purpose.
I don’t know about you, but I find that completely awesome.
Okay, so when are you going to get to the point of the blog post, codefoster?
Calm down. It’s called build up. :)
First, let me say that generating graphics in either 2D or 3D is nothing conceptually new. What I like about discovering and learning an API for CAD software, though, is that I can not only generate something that targets the screen, I can generate something that targets the 3D printer or the laser cutter. That’s all sorts of awesome!
The example I’m going to show you now is a simple one that I hope will just get your gears turning. You could, by the way, take that literally and generate some gears and get them turning.
If you don’t have Fusion 360, go to fusion360.autodesk.com and download it. If you’re a hobbyist, maker, student, startup type you can get it for free.
If you’re new to the program, let me suggest the learning material on their website. It’s great.
After you install Fusion 360, the first thing you need to do is launch the program. This API is attended. It requires that you open the program and launch the scripts. I have suggested to the team at Autodesk to research and consider implementing unattended scenarios as well.
Now launch the Scripts and Add-ins… option from the File menu…
Don’t be confused by the Add-Ins (Legacy) option in the same File menu. That’s for an old system that you don’t want to use anymore.
That should launch the Scripts and Add-Ins dialog…
There are two tabs - Scripts and Add-Ins. They’re the same thing except that Add-Ins can be run automatically when Fusion 360 starts and can provide commands that the user can see in their UI and invoke by hitting buttons. Add-Ins ask you to implement an interface of methods that get called at certain times. If you simply click the Create button on the Add-Ins page, it will make you a sample with most of that worked out for you already.
Let’s focus on the Scripts tab for now.
Above those, you’ll see the My Scripts area that contains any scripts you have written or imported.
It’s not entirely clear at first how this works. Let me explain. If you click Create at the bottom, you’ll get a new script written in a strange folder location. It’s good because it gives you the right files (a .js file, an .html file, and a .manifest), but it’s bad because it’s in such an awkward location. The best thing to do in my opinion is to hit create and get the sample code files and then move the files and their containing folder to wherever you keep your code. Then you can hit the little green plus and add code from wherever you want.
To edit my code, I just go to my command line to whatever directory I decided to put it in and I type…
That launches Code with this directory as the root. Here’s what I see…
There you can see the .html, .js, and .manifest files.
I’m not going to take the screen real estate to walk you entirely through the code. You can see it all on GitHub. But I’ll attempt to show you what it’s doing at a high level.
Here’s the code…
Let’s break that down some.
createNewComponent function is just something I made. That’s not a special function the API is expecting or anything. The
runfunction is, however, a special function. That’s the entry point.
Essentially, I’m creating a 20x20 grid, prompting the user to select a body, and then doing a 2D loop to copy the selected body. The position is all done using a transformation that shifts each body into place and then offsets it a certain amount in the Z direction. In this case, I’m just using a random number, but I could very well be feeding data in to this and doing something with more meaning.
Watch this short video as I create a cube and then invoke this script on it…
So, here is where you just have to sit back and stare at the ceiling and think about what’s possible - about all the things you could generate with code.
My example was a basic, linear iterator. Perhaps, however, you want to create something more organic - more generative?
That has a bit more polish than my gray cubes!
If you build something, make sure you toss a picture my way on Twitter or something. I’d love to see it.
I’m going to keep much of my latest project under wraps for now, but I need your help designing one piece of it.
I’m looking to create a device that is small and light and will dispense one piece of candy at a time programmatically.
Here are the requirements…
- Light - no more than 1oz
- One at a time - it needs to dispense a piece of candy one at a time. If I have to constrain it to hold only round candy of a set size, then so be it, but ideally it would hold candy of varying size and shape. Ideally it will hold Runts bananas.
- It has to operate on a 3.7V power supply
- It has to be an electro-mechanical assembly that I can control with an IoT device (an easy req to fulfill I think)
- It should hold some reasonable number of candy pieces - say at least 10.
So far I’ve thought of the following…
- An Archimedes screw that “pumps” candy up from the bottom of a hopper (like this)
- A wheel that sits horizontal and on each incremental rotation lets one candy piece at a time fall into a hole in the top and lets another fall out a hole at the bottom
- A screw that sits on a horizontal axis that is loaded with candy pieces (one per screw rotation… not in a hopper) and pushes one piece out at a time when rotated 360 degrees. A bit like snack vending machines.
If you can come up with any other brilliant ideas, I’d be glad to hear them.
Thanks in advance.
One of my favorite steps in the app development lifecycle is the creation of the artwork. I’m not stellar at creating original artwork, but I definitely recognize when things look just right, and sometimes I stumble upon it. I must also have a little bit of marketing in me, because it’s my constant effort to brand things.
The artwork and branding is important, because an app developer must live in a constant state of capturing the user amid so much noise. An app needs to say “here’s precisely what I do and how it adds value to your life”. It takes a lot of design thought and effort to cut through the noise and reach your audience.
Good messages to communicate are: clean, simple, creative, elegant, and fluid.
I’d like to walk you through my process of creating artwork for an app called Everyview. Everyview is webcam viewer that attempts to implement well the design principles of Windows 8. It’s intended to feel like a breath of fresh air. There are plenty of apps for viewing web cams and it’s nothing that can’t be done in the browser too, but it’s seldom a consolidated and elegant experience. As of this writing, Everyview is not yet published to the Windows Store, but by the time you read it, it may be. Try searching for Everyview.
My artwork for Everyview started with the creation of a symbol. The symbol had to represent every image that could possibly come through the eye of a camera and so I simply chose to represent the eye of a camera. I didn’t want to make the app subject to aging by choosing a specific camera though, and I didn’t want to specify a still camera or a video camera. So I created a camera lens. The icon doesn’t determine absolutely that you’re looking down the barrel of a DSLR, an amateur video camera, a high-end video camera, or any other specific model. It’s an agnostic character of a camera.
Looking into the eye of a camera invokes a bit of a “live” feeling, as if you’re on the air. I chose not to embellish the icon with a lot of gradients and or other attempts to make it look more realistic. As long as it says “camera” to the user, that’s enough. I did, however, ad a lens glare that identifies it without doubt as a camera lens.
Let me show you how I created this image.
I used CorelDRAW because… well, because I always use CorelDRAW. Use your graphics package of choice, but don’t restrict yourself to a bitmap editor. Creating images in a vector-based graphics package has serious benefits and will make exporting to the various required app graphic sizes a breeze. Creating images in a bitmap package will inevitable find you needing a size larger than what you designed for. I recorded a primer on using CorelDRAW and you can access it at http://aka.ms/coreldrawprimer.
Before I show you how I created that image, let me show you how I set up CorelDRAW for creating images for Windows 8. Choosing File | New in CorelDRAW by default will start you out with a document the size of a piece of paper. CorelDRAW is very good at creating artwork for print, but we’re concerned here more with pixels than we are with inches, so let’s change the defaults and save it for future use.
I created a preset called Win8 App that uses the base Windows resolution of 1366 x 768 pixels. I also chose a color mode of RGB since the results are to be rendered to a screen rather than a printer. When you’re working with documents of a designated pixel width/height, the resolution I mostly irrelevant.
If you’d like a nice place to start, try downloading the template I created at /w8tiletemplate.
Now, with a new document, we can go about creating our camera lens graphic.
Create a series of concentric circles like so. You do this by creating the largest and then resizing it with the CTRL key held to resize about the object’s center and hitting the right mouse button when you have your next circle to create a copy.
Use the second largest to trim the largest by clicking first the second largest and then holding shift and clicking the largest. Then hit the trim button on the toolbar. Then delete the second largest circle. Setting the fill color of all objects to black and removing the outline color should leave you with something like this…
That’s nice and simple and we have only to create the lens glare, which is only slightly harder than what we’ve done so far.
Make another couple of circles inside the smallest. I like to give them a red outline (right click on red from the color palette) while I’m working so they’re easily discerned.
When you draw an ellipse (in this case a circular ellipse) in CorelDRAW, you have an ellipse, which is different from a custom curve. Ellipses have the property that you can grab their little vertex using the shape tool and drag to reduce the ellipse to an arc. Use the shape tool (F10) to do just that and work your way to something like this…
And then use some trimming and intersecting to end up with this…
Now it’s time to design yourself some tiles. At a minimum, you’ll need a standard app tile (150 x 150), a small logo (30 x 30), a store logo (50 x 50), and a splash screen (620 x 300). Additionally, you can design a wide logo (310 x 150) and some additional promotional images in case the Store finds your app worthy of being featured. It’s recommended that the wide logo only be used if you’re going to implement a live tile.
Let’s start with the main app tile. Here’s what I came up with for that…
Obviously, the tile incorporates the symbol we just created, but I also add a stylized app title below that. I chose a fairly bold font, condensed it, used different colors for the words and even shoved them together and created a little notch. Little design choices like this are somewhat arbitrary, but will end up becoming your brand and how people recognize your app. Finally, I added a soft gradient behind the entire title. You have to be careful with gradients in modern apps, but a shallow, gray gradient here seems to add a sort of dreamy, modern, cloud feel to the app.
Next, I’ll elaborate a bit on the standard logo design when creating the wide logo and the splash screen which I tend to make rather similar. Here’s what I came up with.
Now with more horizontal space than vertical, we stretch the brand elements out left to right and I like to add a little subtitle that describes without a doubt what the purpose of the app is - it’s a webcam viewer. Like the notched v in view, I notch the E with the camera lens and keep all of the graphics tight and bold.
The last step is the creation of the store and small logos.
The store logo is used for your apps dedicated detail page in the Windows Store. It’s common practice to just shrink the app tile down from 150 pixels to 50 and call it good, but that’s unfortunate because it’s rare that the app’s main tile will look so good at this size. Take a look at the Bing app’s Store logo captured from its page in the Store…
You want this image to be even simpler than the main app tile, to use most of the 50 x 50 pixel space, and to have a transparent background.
For my Everyview app, I stuck to the basic, original symbol. In CorelDRAW if you want to render something out a certain size even if the elements inside don’t quite fill up that size, you just create a bounding rectangle the size you want and then give it no fill and no outline. I have rendered this bounding box orange below for visibility only. To export this image, you simple set the bounding box’s outline color to none (invisible), select the entire group (bounding box and symbol together), and then export (CTRL + E) it.
Here’s how that would be rendered, however.
Notice a few things about this:
- The image has been rendered to pixels custom made for the export size chosen (it could be rendered absolutely huge and would still look great)
- The bounding box is not visible, yet it is responsible for the overall size and shape of the exported image
- The background is transparent (designated by the checkerboard pattern) but the lens glare is always white
- The transparency is 24-bit which means it has various levels of transparency around the edges to make it blend perfectly with the background
- There is a little bit of space around each edge of the symbol
- The symbol is large enough to capture all the quality we can in this restricted space
The small logo is used to represent your app when the user semantically zooms out of their start screen. Try it and see.
You can use the exact same techniques to create the small logo as you did for the Store logo. The small logo (30 x 30 pixels) is even smaller than the store logo (50 x 50 pixels) so it becomes that much more important to be intentional about simplifying your image.
That’s as far as I’ll take this for now. Of course, you would continue your design effort into the app itself so that the entire effort is unified and consistent.
I’d like to point out one of the advantages to Microsoft design principles that ends up being highlighted by the content of this article. No part of the splash screen or the tiles or even the app itself are contributed to by Windows. The entire space falls under the responsibility of whoever wears the design hat in your organization (even if you are your organization and you wear all the hats!). The app tiles as well as the app’s main design surface because a truly empty canvas and 100% of the pixels are there to deliver your brand, deliver your functionality, and delight your user.
Have fun with this. It’s fun stuff for sure.
Last Friday my user group (“The Ocho”) met and heard a special presentation on Metro Design thanks to Blink Interactive.
Valentina and Christina are UW students and interns at Blink and gave us a ton of information about user centric design and then the history and concepts behind Metro design.
I promised that I’d post their slide deck for those that want to take a look, so here it is.
If you were there with us, thanks for joining. If you weren’t, then look up our next meeting at http://www.meetup.com/theocho. Maybe we’ll see you there.
HTML and CSS is great, but there’s at least one thing that has driven web designers mad for ages - layout. We used to use tables and it worked. We knew their weaknesses, but they worked. Then we were told that tables are for tabular data and div elements are for layout, but divs are wretched creatures. To set divs next to each other one had to float them, but then when finished floating had to be explicitly turned off - argh. Also, divs had no notion of filling vertical space or of controlling the vertical placement of anything within it.
So a myriad of web designers resorted to absolute positioning, browser hacks, jQuery UI positioning, or some other means just to get things to go where they ought.
Enter Windows 8.
Windows 8 allows us to design our Metro style apps using HTML and CSS. In doing so, however, it the CSS standards and Microsoft have given us some facilities to finally place things where we want them.
It’s not obvious how everything works though so let me give you a boost. If you start with a Fixed Layout Application (for the record, I think it should be called the Flexible Layout Application) project template you get the right stuff automatically, but here’s an explanation so you have the concept as well.
We’re dealing with two entities here: the WinJS.UI.ViewBox control and the -ms-flexbox css property value (for the display property).
The purpose of the ViewBox is stated in the documentation. It says that it “Scales a single child element to fill the available space without resizing it. This control reacts to changes in the size of the container as well as changes in size of the child element. For example, a media query may result in a change in aspect ratio.”
The first thing I had a hard time wrapping my head around was the overlap between a ViewBox and a FlexBox. Then I discovered that there really isn’t any. The ViewBox control is quite simple. It scales the content that it contains but maintains it’s aspect ratio.
It works like this…
Note that it does not work like this…
In other words, as it says in the documentation, it scales the contents, but it keeps their proportions.
And that’s really the end of it. The ViewBox serves this one purpose.
Now it’s time to talk about the flexbox. This is not a WinJS control, but rather an implementation of a CSS3 property. It’s not quite a standard property yet because all of the browsers are still implementing it with vendor specific properties and values, but it’s close. For Windows 8, we specify a display property with a value of -ms-flexbox to indicate flexbox layout.
The purpose and scope of the flexbox is a bit bigger than the ViewBox. Here’s what the W3C spec for the CSS Flexible Box Layout Module says “In the flexbox layout model, the children of a flexbox can be laid out in any direction, and can “flex” their sizes, either growing to fill unused space or shrinking to avoid overflowing the parent. Both horizontal and vertical alignment of the children can be easily manipulated. Nesting of these boxes (horizontal inside vertical, or vertical inside horizontal) can be used to build layouts in two dimensions.”
So, like the ViewBox, we still have the concept of the container’s content changing in size to fit the container, but this has more to do with a collection of child items.
Additionally, the flexbox offers a lot of properties to specify how it’s children are laid out. A quick glance in Blend at the CSS properties on a div in the Flexbox category will enumerate them for you…
Notice first the -ms vendor specific prefix as I mentioned.
To give a thorough description of the possibilities with these properties, I’d be duplicating what’s already done quite nicely on the flexbox page on w3.org, so just go there and read the nitty, gritty detail.
The ViewBox is a WinJS control, whereas the flexbox is a CSS property.
The ViewBox always acts on a single child item, but the flexbox can act on multiple child items.
The ViewBox itself changes size to fit it’s container as a core feature. The flexbox can be told to scale to 100% either in width or height, but it doesn’t have to.
The ViewBox does not extend control over the alignment and scale modes of it’s contents, but always does the same thing - scales the child item without changing it’s proportion.
Now that you know how different these controls are, consider them together. If you put a flexbox div inside of a ViewBox, you get a really effective layout tool. Try this for your HTML…
With this as the CSS…
What you have now is a flexbox that fills its area well. Look at these simulator screenshots so you can see what this would look like…
[more images missing]
XAML is unarguably the most powerful layout engine I’ve ever seen, but I really don’t feel like there’s too much in HTML/CSS that we’re missing now with additions like this. It’s rather empowering.